yourshot.nationalgeographic.com/photos/8026625/
Been to this church numerous times, and shot it the same number of times standing from this very spot.
yourshot.nationalgeographic.com/photos/8026625/
Been to this church numerous times, and shot it the same number of times standing from this very spot.
yourshot.nationalgeographic.com/photos/7993762/
The Phra Buddha Theva Patimakorn in the Phra Uposatha, the ordination hall, the main hall used for performing Buddhist rituals, and the most sacred building of the complex. It’s a 13-exposure composite of the statue, taken with the Nikkor 105mm/2.5 lens.
Here’s me starting a new series of posts about new movies I see. I’m going to write down the top 6 things I feel or think about the film. These won’t be reviews, just what I think. You’re free to take them to the bank if you wish, but don’t ask me why the tellers are laughing at you.
yourshot.nationalgeographic.com/photos/7971225/
From a temple that existed before Bangkok was established. The 46 meter long Reclining Buddha at Wat Pho, Bangkok was built under the reign of Rama III in 1832.
500px.com/photo/145036761/from-the-moon-by-amit-sharma
Bangkok as seen from the roof of the famous Vertigo & Moon Bar
yourshot.nationalgeographic.com/photos/7946089/
A fighter ram we encountered while on a street shooting excursion in Calcutta, safely of course. He was well trained, listened to his master, and rammed into only objects that was asked to hit.
This is an R D Burman song that I heard when I was digging for more of his albums and songs – beyond the Amar Prems and the Sholays, and instantly fell in love with. Simple chords, simple rhythm, and a simple melody make it irresistible.
Only once I’d recorded this cover did I come across the “original” for this tune – S D Burman’s Nitol Paye Rinik Jhinik. Even though son has taken inspiration from father’s song, both versions have their nuances and occupy their own special place in my mind and heart. I just wish I had heard SDB’s version before I recorded this – maybe the output would’ve been slightly different. Oh what fun it would’ve been!
Here’s me singing the song – the recording is a year old now.
[soundcloud url=”https://api.soundcloud.com/tracks/152481019″ params=”color=ff5500&auto_play=false&hide_related=false&show_artwork=true” width=”100%” height=”166″ iframe=”true” /]
Here are the chords if you want to play and sing along:
Jab Bhi Koi Kangna Bole (1982) Music: Rahul Dev Burman Lyrics: Yogesh [G]Jab Bhi Koi Kangna Bole, [Em]Payal Chhanak Jaye [G]Soyi Soyi Dil Ki Dhadkan, [Em]Sulag Sulag Jaye [G]Karu Jatan [A7]Lakh Magar [G]Man, Machal Machal Jaye, Machal Machal Jaye [Em][G]] x 2 Jab Bhi Koi Kangna Bole [G]Chhalak Gaye Rang Jaha Par, [A7]Ulajh Gaye Naina Re [G]Naina, [A7]Ulajh Gaye [G]Naina - [G][Em][Am7][G] [G]Paye Nahi Man Banjara, [A7]Kahin Bhi Ye Chaina Re [G]Chaina, [A7]Kahin Bhi Ye [G]Chaina [G]Mere Man Ki [A7]Pyas Adhuri, Mujhe Bhat[Em]kaye [G] Jab Bhi Koi Kangna Bole... [G]Kali Kali Jhoome Re Bhawra, [A7]Agan Pe Jal Jaye Pa[G]tanga, [A7]Agan Pe Jal [G]Jaye [G]Chanda Ko Chkor Nihare, [A7]Isi Mein Sukh Paye Re [G]Paye, [A7]Isi Mein Sukh [G]Paye [G]Jeevan Se Ye [A7]Ras Ka Bandhan, Toda Nahi [Em]Jaye [G] Jab Bhi Koi Kagana Bole...
yourshot.nationalgeographic.com/photos/7932738/
Labourers in a paddy field, next to the Backwaters in Kerala, India. The paddy fields around the Backwaters/Alleppey are lower than the water level in the Backwaters, and are kept safe from flooding by a low dam running all around the water body.
WordCamp Mumbai 2016 Day 1 Wrap
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My favourite talks of day 2 at WordCamp Mumbai 2016, in chronological order:
Thus ended my fourth WordCamp and the volunteer stint with it. In the process I had the chance to discuss with great people, some of whom are employees at Automattic, others are business owners in India, some developers, and every one of them a WordPress enthusiast.
Photographs courtesy: Bigul Malayi (@mbigul)
Until the next WordCamp!
The venue was set, the sandwiches, tea, coffee, water was all fixed, the projection on stage, the sound from the laptops, the presenters/clickers were tested, the WiFi worked finally after a couple of hours of tinkering.
After around an hour of attendees walking in, collecting their goodie bags, and walking in to the auditorium after getting something to munch on & sip, we were ready for the talks to start.
WordCamp Mumbai 2016 was open!
This is my fourth ever WordCamp. I was an attendee at the first one (Mumbai 2014), a speaker at the next (Mumbai 2015), a sponsor at the next (Pune 2015), and I’m an organizer/volunteer/<localhost>
at this one.
I was looking forward to this WordCamp eagerly, for the quality of the planned talks if not for anything else.
And this is the first WordCamp which was duly attended by the whole 13 Llama Studio team.
—
In the chronological order, here’s my take on what I liked about what went on today:
alt
tag, and warned against the indiscriminate mixing of alt
with title
in img
s. Today I got validation for this seemingly pedantic practice. But the alt is only one of the things we developers need to take care of while making the web accessible to those with disabilities. And WordPress is the only platform which focuses on accessibility. Yet another reason to be proud of using WordPress and being in the community.—